Reviews

Cinema with Sam: ‘Alexander: The Ultimate Cut’ redefines the film
By Sam Cohen, Movie Columnist
• March 14, 2025

Music Review: ‘MAYHEM’ sees Lady Gaga pay homage to her beginnings
By Natalia Ferruggia, Culture Editor
• March 14, 2025

Performance Review: ‘Much Ado About Nothing’ adds much to classic tale
By Allison Stein, Assistant Culture Editor
• March 7, 2025

Selma’s Shelf: ‘The Dud Avocado’ not a dud novel
By Selma O’Malley, Managing Editor
• March 7, 2025

Cinema with Sam: 20 years later, ‘Avatar: The Last Airbender’ transcends target audience
By Sam Cohen, Movie Columnist
• March 7, 2025

Nat’s Novels: A whimsical tale for young and old
By Natalia Ferruggia, Culture Editor
• February 28, 2025

Cinema with Sam: ‘The Pitt’ brings fresh take to medical dramas
By Sam Cohen, Movie Columnist
• February 28, 2025

Food Review: A hearty Valentine’s meal with Lafayette Dining
By Isabella Gaglione and Elisabeth Seidel
• February 21, 2025

TV Review: SNL50 celebrates comedy history
By Isabella Gaglione, Editor-in-Chief
• February 21, 2025

Cinema with Sam: ‘Captain America: Brave New World’ average entry in MCU
By Sam Cohen, Movie Columnist
• February 21, 2025

Book Review: ‘I Have No Mouth, and I Must Scream,’ short story ahead of its time
By Luca Ferrucci, Business Director
• February 21, 2025

Cinema with Sam: ‘Sleepless in Seattle,’ classic rom-com that holds up
By Sam Cohen, Movie Columnist
• February 14, 2025
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