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The Lafayette

The Oldest College Newspaper in Pennsylvania

The Lafayette

The Oldest College Newspaper in Pennsylvania

The Lafayette

Living “in the shadows of 9/11”: speakers discuss experiences of young Muslims

This event was meant to shed light on the experiences of Muslims in America. Photo Courtesy of Christina Varhavskaya

After 9/11, Ping Chong knew he wanted to work with Muslims because, he said, “I know my history.”

Beyond Sacred: Voices of Muslim Identity is an interview-based performance, coming to the Williams Center for the Arts at 8 p.m. tonight, where Muslim people sit in a circle and read scripts written by Muslim people.

“Five young Muslims from very different backgrounds [speak] about what it is like to live in the shadows of 9/11. It gives a chance for people to speak on racism, classism and about American history,” he said.

This performance is part of the Ping Chong + Company series. Another project the company is working on is called Undesirable Elements, which much like Beyond Sacred, it is an interview-based theater work that examines issues of culture and identity of individuals who are outsiders within their mainstream community.”

The New York Times said: “This may be the first moment that tears at the heart in ‘Beyond Sacred: Voices of Muslim Identity,’ Ping Chong + Company’s probing and persuasive new work of interview-based theater, but it is not the last.”

The casting process consists of about 25 auditions. Most people who auditioned were college students or a bit older. Chong said he believes this is the case because older people are afraid to speak out.

“It was hard [choosing]. Younger people were coming out [more] than older people. [It] might have to do with fear and that younger people are less afraid. The majority of people that came to be interviewed were younger,” he said.

He added that this is a good thing, considering younger people are no longer quiet but outright about their beliefs.

Chong said that he picked stories that could relate to the scheme of their work.

“We use what they tell us and implicit the history,” adding that many Muslims in America are often told to go back to their countries.

He said: “No one should tell someone to “go back to their country.”

Chong said that the scripts were written about people of color, by people of color.

“The scripts that are written for people of color are not written by people of color so you end up with a lot of cliche and stereotypes.” Adding, “people have to speak out, if they don’t speak out, nothing is going to change.”

“The objective of the production is theater, although the more conservative of theater makers would not call it theater…[Beyond Sacred] is certainly modern theater.”

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    Michael BurkeFeb 12, 2018 at 8:05 am

    This is a prejudiced work that perpetrates false stereotypes of the racist American. Since 9/11 Muslim fanatics killed 8 in Ft. Hood, Texas, 14 in San Bernardino, CA, 49 in Orlando, Fl, 4 in Chattanooga, TN, beheaded a woman in Okalahoma, and ran down eight on the West Side Hghwy in NYC (more than were killed in the ’93 WTC bombing by, um, Muslim fanatics) all for the crime of being Americans or visiting America. In addition to the numerous plots that were stopped by law enforcement. Yet somehow, prejudice against Muslims is the problem. In NYC, the day after a Muslim was arrested for planting a failed car bomb in Times Square there were the usual lines in from the “Falafal Guy’s,” vendors. Muslims in NYC routinely, in the middle of the day, on public sidewalks, kneel and pray. Nobody cares. Muslim restaurants and mosques were left alone after 9/11 and after each of those attacks. Today its politically correct to of course portray a Muslim woman in a hijab in commercials. They wouldn’t feature a nun or any Christian or Jewish woman in overt religious dress. Considering the history of Muslims in this country, the level of acceptance and tolerance of Americans toward Muslims is remarkable and something that is never found in Muslim countries. The reason there aren’t older people participating in this foolish exercise isn’t because they’re “afraid,” it’s because they have too much sense.